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Music-loving fetuses


On some occasions during our acquaintance with the mother-fetus relationship, it was worth noting that hearing is extremely important in human development.

Marie Busnel has shown in French acoustic physiological research that if a mother speaks to the fetus in her inner voice, she responds to the speech with a change in heart rate. The consequences of this are very far-reaching.
During maternal-fetal relationship analyzes, the mother-to-child speaks regularly to her babies, which speeds up the process of development and maturation. However, Busnel also has a more surprising search result. It has also been shown if mothers only think of their baby and react to it by heart rate changes. This is a startling discovery, which means that it doesn't really matter what, when, how much, and what your baby thinks of their baby. We have gained a lot of interesting experience from mother-fetal relationship enhancers, also known as mother-fetal relationship analyzes, in this area. After a little thought, we will discuss the fetuses' musical hearing. There are many reasons for the deep, emotional impact that music will have on us during the lifetime of the fetus. Elias Canetti has revealed in her lifetime that her relationship to music is primarily shaped by the memory of our mother's heartbeat. Canetti believes that all known drum beats are based on two basic patterns: either the calm beating of the human heart or the beating of rushed animals. This may also be the explanation for the fact that the drum rhythms help to change the state of consciousness, which is changed by many types of nature - trans.

Music-loving fetus


Another author, in a way different from Clauser Canetti, wants to discover the rhythm of rhythm in his mother's movement, which, in turn, has a relationship to heart rate. According to these two fanatical music enthusiasts, the baby's motherly condition is composed of an acoustic-rhythmic nature that is composed of the rhythmic sound of a voice, the rhythmic sound of a little inhalation, and the rhythm.
According to Eichenberger's beautiful thought, rhythm is an acoustic expression of belonging, even though arrhythmia is a sign of disturbance and rupture. Many mothers are not convinced, but they know that their baby responds to music by the fourth month of pregnancy.
There are thousands of anecdotes about this area. For example, a German doctor reported that a baby boy couldn't go to a rock concert because the baby was kicking at the music so wildly that it was unbearable. They signaled that this music was unbearable for them. A renowned researcher, Liley, has shown that babies actually start kicking at the drum beat. Another researcher, certain Clemens, looked at the effects of different music on fetuses. It turned out that the music of Vivaldi and Mozart is most comforting. In the experimental group, all the babies were at ease with the music mentioned. In contrast, Beethoven, Brahms and rock music have begun to thrive. The genius composers return to the professional world of experimentation and testing. In one of Spelt's experiments, Peter Prokofiev and the wolf cuneiform played the bassoon several times on the fetus. The musical detail was recognized by the babies after birth, and this was brought to the attention of the experimenter by stopping the sorrow.
Another science, De Casper, invented a very original experiment: he made a special soother that could be linked to a tycoon. By sucking the pacifier in a different rhythm, the newborns were able to trigger three texts on the tape recorder. One of the three glass bottles was regularly played during the last third of the pregnancy. The babies began to cum in the short time that started the familiar text. Let us finish this discussion by introducing this frappy experiment, making sure that we return to fetal musicality next time.
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